kaɦ.na.vˈaw Spirituality, Economy and Politics

Artistic direction: ADRIANA SCHNEIDER ALCURE and ALEX MELLO

With: CORAL VOZES DO BRASIL, CORDÃO DO BOITATÁ, IJULA – ROOTS & ROUTES COLOGNE E.V., LUSOTAQUE, MARACATU COLÔNIA, MUDA OUTRAS ECONOMIAS, PANAMÉRICA TRANSTLÂNTICA, SAÚVA, YLÊ ASE EGI OMIM, ALFONSO GARRIDO, ANADIA OLIVEIRA, ANDERSON BARDOT, BEA COSTA, BLACK PEARL DE ALMEIDA LIMA, CAMILA DE AQUINO, CAMILA DE MORAES, CARMEN LUZ, CHICO BRUM, CLAUDIA PHOENIX, CRIS COTRIM, DADO AMARAL, DANIEL LOBO, DELI MONTEIRO, DENISE KRAMMER, DIANA COSTA, DODO GIOVANETTI, DONA 7, FLAVIA BERTON, FLAVIA GRIBEL, FLAVIA MACEDO, FLAVIA OLIVEIRA, FRESIA HOCQUET, GABRIELA SALOMONE, IVAM CRUZ, JAKOB GEHRMANN, JANAINA OLIVEIRA REFEM, JEAN KLEEB, JOÃO RIVERA, JOTA RAMOS, KIKO HORTA, LAZIR SINVAL, LUÍS FILIPE DE LIMA, LUIZ ANTONIO SIMAS, MAJU NUNES, MANGUEIRINHA, MARCIA NUNES, MAURICIO VIRGENS, MICHELE DETRANO, MUNIZ SODRÉ, NILEN COHEN, PABLO SCHALSCHA, PATRÍCIA MUNIZ, PEDRO TIE, QUININHO DA SERRINHA, RAFAEL MAZZA, RICARDO COTRIM, ROBERTA DE LACERDA MEDINA, RODRIGO DUTRA, SEU ZÉ, TAIANA LOPES, THAIS NEPOMUCENO, TINA SCHENCK, THIAGÔ QUEIROZ, THIAGO ROSA, TUANY ZANINI, UILTON OLIVEIRA, VIVI MÉNDEZ MOYA, WILLIAM SOUSA, YA WANDA ARAUJO.

Carnival is not only a popular occasion for celebration in different longitudes and latitudes around the world. Carnival itself is also a socio-political event. From the history of Carnival, one can derive fundamental developments and changes in political and social nature. In addition to Cologne, Cologne's twin city Rio des Janeiro is also a famous carnival city. Of particular interest in the case of Rio de Janeiro - in relation to carnival - is the connection between the levels of spirituality, economy and politics. The project kaɦ.na.vˈaw | Spirituality, Economics and Politics wants to reflect this connection from Cologne and the Rhineland. Last but not least, the roots of the Brazilian carnival and the migration in Cologne and the Rhineland will be of central importance.

From July to December 2023, workshops, concerts and music performances, artistic presentations, as well as a performative symposium in collaboration with different institutions and migrant associations of Cologne will take place in this context. The project is artistically directed by Adriana Schneider Alcure, who is an ADKDW Academy Member, the co-founder of the carnival association Cordão do Boitatá and professor of theater at the University of Rio de Janeiro (UFRJ), and the Brazilian film and theater director, actor and theater educator Alex Mello, who lives in Cologne and Bonn.

Spirituality

Brazilian and Caribbean carnivals in general, but especially the carnival in Rio de Janeiro, are strongly influenced by Afro-diasporic, religious and cultural expressions. For centuries, Rio de Janeiro was the most important port of the global slave trade and, as the capital of Brazil (from 1822 to 1960), it was also a particular site of political activity. In this context, Carnival has become an important scenario of dialogue and negotiation between different cultures and realities of life. The roots of samba music and dance go far back into Afro-diasporic traditions. They contain the memory culture of crossing the Atlantic, of life in captivity, on the plantations, and of liberation; as well as elements of Afro-Brazilian religion, especially those from the Yorùbá culture (West Africa). The preservation of religious customs and anstral spirituality, songs, and dances were a particularly important element in the survival of communities in captivity and forced labor in the diaspora. Respectively, the recollection of one's own spirituality and Afro-diasporic identity is of central importance both in the struggle for the abolition of slavery and in cultural manifestations, especially the carnival.

Economy

In Rio de Janeiro today, Carnival not only represents an internationally renowned cultural spectacle, but also constitutes the city's most important economy. The financial survival of millions of individuals and families is sustained by Carnival. What is interesting about this phenomenon is that various forms of economy connect to the carnival: formal (media, spectacles, events), symbolic, but also informal and communal forms of economy (informal street vending, informal music and cultural events, family businesses and neighborhood initiatives, alternative barter currencies and trade). This singular position makes the city's most important cultural event simultaneously the city's most important and perhaps most complex economic event.

Politics

The history of Carnival cannot be separated from the history of demands for equal rights in a country marked by structural inequality. As a distinguished platform of visibility and a celebration of "the common people," Carnival has also become the site of diverse political demands over the years, particularly in the area of human rights, the right to religious freedom, liberty, and equality. Last but not least, Carnival in Rio - just like Carnival in Cologne - is a popular forum for political debate and political satire based on the democratic right of freedom of expression.

July - December 2023
Rio de Janeiro und Köln

In cooperation with the Rautenstrauch-Joest-Museum and the The Centre for International Cultural Education of the Goethe-Institut Bonn.

Supported by